Nikki's E-learning and Digital Cultures site » dystopia http://edc13.education.ed.ac.uk/nikkib Nikki's E-Learning and Digital Cultures site - part of the MSc in E-learning at the University of Edinburgh Thu, 30 May 2013 09:29:15 +0000 en-US hourly 1 http://wordpress.org/?v=3.4.1 Digital Artifact – Dystopian frequencies http://edc13.education.ed.ac.uk/nikkib/2013/02/08/digital-artifact-dystopian-frequencies/ http://edc13.education.ed.ac.uk/nikkib/2013/02/08/digital-artifact-dystopian-frequencies/#comments Fri, 08 Feb 2013 13:42:01 +0000 Nikki Bourke http://edc13.education.ed.ac.uk/nikkib/?p=200  

My digital artifact, dystopian frequencies tries to capture the feeling of dystopia through image, sound and text.

Please click on the image to access the artifact itself.

A reference list of materials used in the artifact are available here.

 

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Picture perfect http://edc13.education.ed.ac.uk/nikkib/2013/01/27/92/ http://edc13.education.ed.ac.uk/nikkib/2013/01/27/92/#comments Sun, 27 Jan 2013 21:36:11 +0000 Nikki Bourke http://edc13.education.ed.ac.uk/nikkib/?p=92

How does if at all, the use of color contribute to the creation of  dystopian/utopian associations? The street scene above from the pre-schoolers TV program Balamory is used  as a setting for a happy environment where all problems may be resolved and life is pretty much picture perfect. The houses in this program are painted in bright cheery colors, instilling an association in the viewer that contentment may be depicted and expressed through color.

The use of pastel shades in the creation of a Utopian perfect suburbia is effortlessly captured through the street scene above, Edward Sissorhands. The repetitious use of colour  gives the viewer a sense of uniformity and ease with the familiarity of the visual structure.

The absence of color may be equally instrumental in the creation of a utopian / dystopian association. In the EDC course movie Worldbuilder (2009), we witness the creation of an environment through the use of colour in an empty canvass. It is through this colour that the creator fabricated textures, shades and objects. The end result is a city mirroring all of the elements found within a  ’real’ city.

At one point the creator builds a flower. Unhappy with its composition he returns to it to further enhance its beauty and realism…through the concentration of yellow colour.

Real = Beauty

Beauty =Colour

Landscape devoid of colour conjures association with dystopian state. We see in Splitting the Atom / Massive Attack (2010) that shades of grey and black dominate the video and the limited use of colour, the blood red eyes of the shackled jaguar and the skeleton sentry serve to highlight the bleak  horror of the city battle scenes. The reworking of this scene in pastel shades could not convey the same meaning. Likewise, a visual overhaul of Balamory in black, white or sepia would have pre-schoolers scrambling for the remote.

 

 

 

 

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